The Day of the Locust by Nathanael West Essay -- Day Locust nathanael

The Day of the Locust by Nathanael West In The Day of the Locust, unaccompanied Hackett undergoes an internal development relative to his migration. unaccompanied, an architect reenforcement in Connecticut, moves out to Hollywood to build paintingry for movies. Yet, once he moves, unaccompanied is transformed into a lethargic, non-artist who can no longer perform his own drawings on paper. His surroundings drive these changes, as all characters in the novel are depicted in a similar fashion. tod change by reversals one of the grotesque as well, laughing at the disturbing or else than the humorous. These new features signal tods incapacity to return to his overage self, as he constantly suffers from his migration. This comes full circle at the eat up of the novel when tod is led away from the mob outlook at the Hollywood premiereHe was carried through the exit to the back pass and lifted into a jurisprudence car. The siren began to scream and at starting he thought he w as making the noise himself. He matte up his lips with his hands. They were clamped tight. He knew then it was the siren. For some reason this made him laugh and he began to imitate the siren as loud as he could. (185)This distil depicts unaccompanieds migration in full from an active artist to a grotesque and lazy Californian who will never recover from his experience. unaccompanieds movement into the police car parallels his transformation to laziness in Los Angeles. When the National Films talent scout carries him off to Hollywood to learn bushel and costume design, Tod disregards the unusual fact that he is hired by telegram or else than in person (60). This provides a clue archaean on in the novel into the indolent nature of Los Angeles that will eventually get under ones skin his own laziness. Even after only three months of aliveness in Hollywood, ... ... artistic vision and the disorganization relating to the Hollywood mob. Ultimately, Tod can no longer recu perate from the brutal crowd and the cacophonous sound of the siren. Instead, he loses his artist status by conforming to the status quo, more specifically, fair like all the pack he wants to paint. In The Day of the Locust, Tod Hackett evolves from an innovative architect to a lethargic imitator. Tod likens the other tribe in his painting of the destruction of Los Angeles to a grotesque, jarring mob. The final scene in the police car perfectly captures this transformation as the police carry a laughing, siren-screaming Tod off away from the Hollywood premiere. Unfortunately, Tod can never recover as his artistic abilities have been undo through migration. His migration is thus complete and final he has truly shape a hopeless Californian. The Day of the Locust by Nathanael West analyse -- Day Locust nathanael The Day of the Locust by Nathanael West In The Day of the Locust, Tod Hackett undergoes an internal development relative to his migration. Tod, an a rchitect living in Connecticut, moves out to Hollywood to build scenery for movies. Yet, once he moves, Tod is transformed into a lethargic, non-artist who can no longer develop his own drawings on paper. His surroundings drive these changes, as all characters in the novel are depicted in a similar fashion. Tod becomes one of the grotesque as well, laughing at the disturbing rather than the humorous. These new features signal Tods incapacity to return to his middle-aged self, as he constantly suffers from his migration. This comes full circle at the closing curtain of the novel when Tod is led away from the mob scene at the Hollywood premiereHe was carried through the exit to the back passageway and lifted into a police car. The siren began to scream and at jump he thought he was making the noise himself. He mat up his lips with his hands. They were clamped tight. He knew then it was the siren. For some reason this made him laugh and he began to imitate the siren as loud as he could. (185)This excerpt depicts Tods migration in full from an active artist to a grotesque and lazy Californian who will never recover from his experience. Tods movement into the police car parallels his transformation to laziness in Los Angeles. When the National Films talent scout carries him off to Hollywood to learn circumscribe and costume design, Tod disregards the unusual fact that he is hired by telegram rather than in person (60). This provides a clue early in the novel into the indolent nature of Los Angeles that will eventually run his own laziness. Even after only three months of living in Hollywood, ... ... artistic vision and the disorganization relating to the Hollywood mob. Ultimately, Tod can no longer recuperate from the brutal crowd and the cacophonous sound of the siren. Instead, he loses his artist status by conforming to the status quo, more specifically, congruous like all the people he wants to paint. In The Day of the Locust, Tod Hackett evolves from an innovative architect to a lethargic imitator. Tod likens the other people in his painting of the destruction of Los Angeles to a grotesque, jarring mob. The final scene in the police car perfectly captures this transformation as the police carry a laughing, siren-screaming Tod off away from the Hollywood premiere. Unfortunately, Tod can never recover as his artistic abilities have been washed-up through migration. His migration is thus complete and final he has truly become a hopeless Californian.